{"id":235,"date":"2010-12-08T00:01:17","date_gmt":"2010-12-08T06:01:17","guid":{"rendered":"http:\/\/www.revistabicentenario.com.mx\/?p=235"},"modified":"2020-08-10T11:51:43","modified_gmt":"2020-08-10T16:51:43","slug":"biagi-hermanos-creadores-de-virtudes-en-san-luis-potosi","status":"publish","type":"post","link":"https:\/\/revistabicentenario.com.mx\/index.php\/archivos\/biagi-hermanos-creadores-de-virtudes-en-san-luis-potosi\/","title":{"rendered":"Biagi Hermanos: creadores de virtudes en San Luis Potos&iacute;"},"content":{"rendered":"<address><strong>Jos\u00e9 Francisco Guevara Ruiz<\/strong><\/address>\n<address>Museo Francisco Coss\u00edo, S. L. P.<\/address>\n<address><span style=\"color: #993366;\">Revista BiCentenario #6<\/span><\/address>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><em>A Mar\u00eda Esther P\u00e9rez Salas y Silvia Fern\u00e1ndez<\/em><\/p>\n<p style=\"text-align: justify;\">En el cementerio del Saucito de la ciudad de San Luis Potos\u00ed, hay un espectacular monumento funerario en m\u00e1rmol de Carrara, con un bello y suntuoso trabajo arquitect\u00f3nico que combina varios cuerpos, columnas, bases y pedestales y es decorado con varias esculturas. Obra de los hermanos italianos Biagi, guarda para la eternidad los restos de don Mat\u00edas Hern\u00e1ndez Sober\u00f3n (1907), un acaudalado hombre de negocios de esa capital. Su contenido simb\u00f3lico lo hace \u00fanico en el estado y la regi\u00f3n, ya que consigue expresar el deseo de muchos potosinos de ser reconocidos, al pasar el tiempo, como seres virtuosos y, por tanto, de que sus almas alcanzaron el para\u00edso.<\/p>\n<p style=\"text-align: justify;\">El Taller de M\u00e1rmoles Italianos Biagi Hermanos se ubicaba en el n\u00famero 4 de la Plaza de San Juan de Dios. Fue una de las empresas art\u00edsticas suntuarias m\u00e1s importantes del centro-norte de M\u00e9xico, fundada por los artistas italianos Giuseppe, Dante y Domingo Biagi, due\u00f1os adem\u00e1s de canteras en Carrara y un taller en Avenza, Italia. Su giro principal era la creaci\u00f3n escult\u00f3rica y la talla de elementos funerarios, arquitect\u00f3nicos y decorativos en m\u00e1rmol de Carrara, que importaban, vend\u00edan y\/o colocaban para la Iglesia y la \u00e9lite local entre 1901 y 1914. Su extensa producci\u00f3n tuvo gran influencia y estableci\u00f3 una tipolog\u00eda est\u00e9tica \u00fanica y valiosa, pues sus trabajos se colocaron tambi\u00e9n en Monterrey, Saltillo, Tampico, Aguascalientes y Parral.<\/p>\n<p style=\"text-align: justify;\">Casi todo lo que hicieron para San Luis Potos\u00ed se localiza en los espacios p\u00fablicos de la capital, tanto de uso c\u00edvico como religioso, siendo el cementerio del Saucito el lugar con m\u00e1s obras, seguido por la Catedral, los templos de San Agust\u00edn y el Sagrado Coraz\u00f3n, el Santuario de Guadalupe, la Plaza de Armas, la Alameda, los jardines de San Juan de Dios y Col\u00f3n y la Antigua Penitenciar\u00eda del Estado. Sus obras se encuentran tambi\u00e9n en numerosas casas y colecciones particulares.<\/p>\n<p style=\"text-align: justify;\">PARA LEER ESTE ARTICULO COMPLETO, <a href=\"..\/?page_id=10\">SUSCR\u00cdBASE A BICENTENARIO<\/a>.<\/p>\n<p><script type=\"text\/javascript\">\/\/ < ![CDATA[\nvar 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