﻿{"id":1956,"date":"2013-03-14T23:10:50","date_gmt":"2013-03-15T05:10:50","guid":{"rendered":"http:\/\/revistabicentenario.com.mx\/?p=1956"},"modified":"2020-08-26T10:40:02","modified_gmt":"2020-08-26T15:40:02","slug":"un-dia-en-los-oficios-de-la-calle","status":"publish","type":"post","link":"https:\/\/revistabicentenario.com.mx\/index.php\/archivos\/un-dia-en-los-oficios-de-la-calle\/","title":{"rendered":"Un d&iacute;a en los oficios de la calle"},"content":{"rendered":"<p style=\"text-align: justify;\">Revista BiCentenario # 18<\/p>\n<p style=\"text-align: justify;\"><em>David Israel P\u00e9rez Aznar<\/em>\u00a0\/ Curador del Museo de Arte Popular<\/p>\n<p style=\"text-align: justify;\"><em>La identidad de un pa\u00eds tiene que ver con sus olores, sus sabores, sus sonidos, su cultura y su gente. En las particularidades de una urbe como M\u00e9xico destacan los sonidos de aviones cruzando el cielo, el claxon de impacientes automovilistas, el rugido de las motocicletas, el silbato de los agentes de tr\u00e1nsito, y el preg\u00f3n de quienes a\u00fan encuentran espacio para el desempe\u00f1o de sus oficios: el vendedor de camotes que acompa\u00f1a el anuncio de su mercanc\u00eda con el silbido de su carrito; el de tamales, que ya no usa su propia voz, sino una grabaci\u00f3n que puede amplificar el llamado a los clientes en decibeles que las cuerdas vocales no podr\u00edan alcanzar; el de pan, cuya canasta (raras veces sobre su cabeza), descansa ahora en un triciclo con mayor estabilidad que la bicicleta; el afilador de cuchillos y tijeras que emite un peculiar sonido; el voceador que en cada esquina ofrece sus peri\u00f3dicos, o el vendedor de helados que recorre las calles con sus tintineantes campanillas. Aunque son varios los oficios que a\u00fan forman parte del paisaje citadino, lo cierto es que muchos ya se fueron para siempre<\/em>.<\/p>\n<figure id=\"attachment_1957\" aria-describedby=\"caption-attachment-1957\" style=\"width: 338px\" class=\"wp-caption alignright\"><a href=\"http:\/\/revistabicentenario.com.mx\/wp-content\/uploads\/2013\/03\/Sereno.bmp\"><img fetchpriority=\"high\" decoding=\"async\" class=\" wp-image-1957 \" alt=\"Sereno\" src=\"http:\/\/revistabicentenario.com.mx\/wp-content\/uploads\/2013\/03\/Sereno.bmp\" width=\"338\" height=\"541\" \/><\/a><figcaption id=\"caption-attachment-1957\" class=\"wp-caption-text\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sereno, s. XIX<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">En M\u00e9xico los oficios tal y como hoy los conocemos provienen de la \u00e9poca virreinal, cuando gran parte de la vida laboral se segmenta y aparecen los gremios o las cofrad\u00edas de oficios, modelos importados del sistema laboral europeo. Fueron organizaciones de profesionales que hacia el exterior velaban por el buenhacer de los cofrades, combat\u00edan a quienes no sab\u00edan ejercer el oficio y estaban alertas a los precios de venta del producto que manufacturaban. Hacia su interior eran jer\u00e1rquicos y algunas llegaron a ser muy poderosas, como la de los plateros.<\/p>\n<p style=\"text-align: justify;\">El tiempo de aprendizaje de un oficio, para llegar a conseguir la licencia de oficial, depend\u00eda de lo complejo de la especialidad y la aptitud del aspirante. Aunque es cierto que los maestros contaban siempre con transmitir su conocimiento a sus hijos o allegados, dando de esta forma origen a las tradicionales sagas familiares, esta actitud, lejos de ser rom\u00e1ntica, tuvo como fin primordial evitar la competencia.<\/p>\n<p style=\"text-align: justify;\">Los oficios surgieron junto con los seres humanos, para cubrir sus necesidades, y nuestra evoluci\u00f3n como sociedad ha sido responsable de su auge o desaparici\u00f3n. Quien ejerce un oficio ha de ser d\u00factil porque su trabajo se rige por las estrictas leyes de la oferta y la demanda impuestas por el consumidor; si no est\u00e1 dispuesto a cambiar quiz\u00e1 se acabe silenciosamente y por eso no ha de extra\u00f1arnos que, por m\u00e1s que los recordemos con nostalgia, algunos hayan desaparecido. Dos claros ejemplos son los aguadores y los serenos. Los primeros abastec\u00edan de agua a las casas, acarre\u00e1ndola desde las fuentes m\u00e1s cercanas; su extinci\u00f3n fue un hecho en el instante mismo en que se plane\u00f3 y ejecut\u00f3 una red de bombeo de agua corriente desde Xochimilco a la ciudad de M\u00e9xico en 1913. Los segundos eran trabajadores al servicio del Ayuntamiento de la capital, que durante las noches vigilaban determinadas calles dentro de una colonia y por eso deb\u00edan mantenerse serenos (despiertos); algunos llegaban incluso a tener las llaves de los p\u00f3rticos de las casas.<\/p>\n<p style=\"text-align: justify;\">Para leer el art\u00edculo completo, <strong><a title=\"SUSCRIBIRSE\" href=\"http:\/\/revistabicentenario.com.mx\/index.php\/suscripciones\/\">suscr&iacute;base a la Revista BiCentenario<\/a>.<\/strong><\/p>\n<p style=\"text-align: justify;\">PARA SABER M\u00c1S:<\/p>\n<ul>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u00bfY si no puede? Se lo invento. Un d\u00eda en los oficios de la\u00a0<\/span><span style=\"line-height: 1.714285714; font-size: 1rem;\">calle, en Madame Calder\u00f3n de la Barca, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">La vida en M\u00e9xico:\u00a0<\/em><em style=\"line-height: 1.714285714; font-size: 1rem;\">durante una residencia de dos a\u00f1os en ese pa\u00eds<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, M\u00e9xico,\u00a0<\/span><span style=\"line-height: 1.714285714; font-size: 1rem;\">Rey Lear, 2007.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Luis Gonz\u00e1lez Obreg\u00f3n, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Las calles de M\u00e9xico<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, M\u00e9xico,\u00a0<\/span><span style=\"line-height: 1.714285714; font-size: 1rem;\">Botas &amp; Alonso, 2005.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Salvador Novo, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Nueva Grandeza Mexicana<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, M\u00e9xico, Conaculta,\u00a0<\/span><span style=\"line-height: 1.714285714; font-size: 1rem;\">1999.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Armando Ram\u00edrez, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Fantasmas<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, M\u00e9xico, Oc\u00e9ano, 2011.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Artemio del Valle Arizpe, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">El canillitas<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, M\u00e9xico, Conaculta,\u00a0<\/span><span style=\"line-height: 1.714285714; font-size: 1rem;\">2007.<\/span><\/li>\n<\/ul>\n<p><script type=\"text\/javascript\">\/\/ < ![CDATA[\nvar 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En las particularidades de una urbe como M\u00e9xico destacan los sonidos de aviones cruzando el cielo, el claxon de impacientes automovilistas, el rugido de las motocicletas, el silbato de los agentes de tr\u00e1nsito, y el preg\u00f3n de quienes a\u00fan encuentran espacio para el desempe\u00f1o de sus oficios: el vendedor de camotes que acompa\u00f1a el anuncio de su mercanc\u00eda con el silbido de su carrito; el de tamales, que ya no usa su propia voz, sino una grabaci\u00f3n que puede amplificar el llamado a los clientes en decibeles que las cuerdas vocales no podr\u00edan alcanzar; el de pan, cuya canasta (raras veces sobre su cabeza), descansa ahora en un triciclo con mayor estabilidad que la bicicleta; el<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[1110,389,1104,183,1107,1105,1112,1106,1102,1109,1103,1108,36,1111],"class_list":{"0":"post-1956","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-articulos","7":"tag-afilador","8":"tag-aguador","9":"tag-barbero","10":"tag-ciudad-de-mexico","11":"tag-exposicion","12":"tag-fotografo","13":"tag-merenguero","14":"tag-museo-de-arte-popular","15":"tag-oficios","16":"tag-organillero","17":"tag-sereno","18":"tag-tepito","19":"tag-vida-cotidiana","20":"tag-zapatero"},"_links":{"self":[{"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/posts\/1956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1956"}],"version-history":[{"count":17,"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/posts\/1956\/revisions"}],"predecessor-version":[{"id":15079,"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/posts\/1956\/revisions\/15079"}],"wp:attachment":[{"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistabicentenario.com.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}